Title: An Acceptable Loss
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Former top U.S. security adviser Elizabeth “Libby” Lamm (Sumpter) is threatened by associates from her dark past including Rachel Burke (Curtis), a steely, commanding politician with an unwavering knack for achieving her goals. Colluding with Rachel is Adrian, an unyielding, patriotic chief of staff. Martin (Tavassoli) harbors another type of obsession with Libby in this story of betrayal and regret.
CAM Common; Quality issues make this an unpopular format
A copy made in a cinema using a camcorder or mobile phone. The sound source is the camera microphone. Cam rips can quickly An Acceptable Loss appear online after the first preview or premiere of the film. The quality ranges from subpar to adequate, depending on the group of persons performing the recording and the resolution An Acceptable Loss of the camera used. The main disadvantage of this is the sound quality. The microphone does not only record the sound from the movie, but also the background sound in An Acceptable Loss the cinema. The camera can also record movements and audio of the audience in the theater, for instance, when someone stands up in front of the screen, or when the An Acceptable Loss audience laughs at a funny moment in the movie.
Telesync TS HDTS TELESYNC PDVD PreDVDRip Very common
A telesync (TS) is a bootleg recording of a film recorded in a movie theater, An Acceptable Loss sometimes filmed using a professional camera on a tripod in
the projection booth. The main difference between a CAM and TS copy is that the audio of a TS is An Acceptable Loss captured with a direct connection to the sound source (often an FM microbroadcast provided for the hearing-impaired, or from a drive-in theater). Often, a cam is mislabeled as a telesync. An Acceptable Loss HDTS is used to label a High-definition video recording.
WORKPRINT Very rare
A copy made from an unfinished version of a film produced by the studio. Typically a workprint has missing effects An Acceptable Loss and overlays, and differs from its theatrical release. Some workprints have a time index marker running in a corner or on the top edge; some may also include a watermark. An Acceptable Loss A workprint might be an uncut version, and missing some material that would appear in the final movie (or including scenes later cut).
Telecine TC HDTC TELECINE Fairly rare
A copy captured An Acceptable Loss from a film print using a machine that transfers the movie from its analog reel to digital format. These were
rare because telecine machines for making these prints were very An Acceptable Loss costly and very large. However, they have recently become much more common. Telecine has basically the same quality as DVD, since the technique is the same as digitizing the actual An Acceptable Loss film to DVD. However, the result is inferior since the source material is usually a lower quality copy reel. Telecine machines usually cause a slight left-right jitter in the picture An Acceptable Loss and have inferior color levels compared to DVD. HDTC is used to label a High-definition video recording.
Pay-Per-View Rip PPV PPVRip Uncommon
PPVRips come from Pay-Per-View sources. All the PPVRip releases are An Acceptable Loss brand new movies which have not yet been released to Screener or DVD, but are available for viewing by customers with high-end TV package deals.
BDSCR Very common
These are early DVD An Acceptable Loss or BD releases of the theatrical version of a film, typically sent to movie reviewers, Academy members, and executives for review purposes. A screener normally has a message overlaid on
An Acceptable Loss its picture, with wording similar to: “The film you are watching is a promotional copy. If you purchased this film at a retail store, please contact 1-800-NO-COPIES to report it.” An Acceptable Loss or more commonly if released for awards consideration simply, “FOR YOUR CONSIDERATION.” Apart from this, some movie studios release their screeners with a number of scenes of varying duration shown An Acceptable Loss in black-and-white. Aside from this message, and the occasional B&W scenes, screeners are normally of only slightly lower quality than a retail DVD-Rip, due to the smaller investment in DVD An Acceptable Loss mastering for the limited run. Some screener rips with the overlay message get cropped to remove the message and get released mislabeled as DVD-Rips.
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